Flute as meta-interface of modular systems in contemporary electro-acoustic music (2019) on Cycling by Hanan Hadžajlić

Hanan Hadžajlić (23 April 2019) Flauta Kao Metainterfejs Modularnih Sistema U Savremenoj Elektroakustičkoj Muzici. Department of Wind Instruments (flute direction) at the Faculty of Music Arts, University of Arts in Belgrade. (in Serbian)

p.99-109. “The composition Cycling for the sounded flute with the effect of spaciousness was written by Panayiotis Kokoras in 2009, …From the aspect of compositional procedures and techniques, the global process is represented by the transformation of sound from predominantly percussive sounds based on flaps, both with open mouth and in combination with articulation language in which short phases of adding air to a tone constantly modulated by harmonic combinations are integrated. accentuated prelude, whistling tones and fluttering. The basic meter is 3⁄4 with occasional incorporation of 4/4 and 5/4 meters, and the dominant rhythmic pulsations are 10/1 and 8/1 and the secondary ones, 5/1, 4/1, 3/1 and 2/1 (most often in the context of a notated deceleration of the initial pulsation flow). In the score, the composer verbally marked five different parts that represent separate phases within the global transformation of sound: Riding The Pedals (items 1–22), Feel the Wind (items 23–37), Open the Wings (items 38–44). , Crosing the Valley (pp. 45–51), Memory Traces (pp. 52–72). According to the composer, the score and the marks of the sound techniques, the performer should be treated as follows: …” (Google translation from Serbian)

http://eteze.arts.bg.ac.rs/handle/123456789/415